Manuel Pelayo is a versatile music composer and producer specializing in crafting scores for film, media, and theater. His unique style combines the richness of orchestral arrangements with the modern edge of electronic elements, creating immersive soundscapes that resonate with audiences on an emotional level.
A composer with a broad range of expertise, Manuel has worked across various genres, bringing a distinct blend of creativity and technical mastery to each project. Throughout his career, he has collaborated with renowned brands, celebrated composers, and off-Broadway theatrical productions, enhancing narratives through the power of music and sound.
He studied Film Scoring at UCLA, further refining his approach to narrative composition and cinematic emotion. His musical vision has been enriched by collaborations with musicians from the Jalisco Philharmonic Orchestra, allowing him to bridge the world of classical performance with contemporary scoring.
His contributions to storytelling through music have been recognized by The New York Times for his work on The Cooping Theory 1969: Who Killed Edgar Allan Poe. He also received the Pantalla de Cristal award for Best Music at the Pantalla de Cristal Film Festival in Mexico City, honoring his composition for the Claras de Huevo San Juan campaign.
Whether designing poignant melodies for cinematic moments, crafting dynamic scores for the stage, or producing tracks for media, Manuel’s passion lies in translating emotion into sound. His music often evokes a sense of wonder, introspection, and timelessness — a sonic journey where every note serves the story.
